A checker board of Fifty-Nine Parks Print Series Posters

Fifty-Nine Parks Print Series: Inspiring National Park Attendance through Design

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Inspired by his visits to our nation’s iconic national parks, JP Boneyard strives to inspire others to do the same.

Through the Fifty-Nine Parks Print Series, Boneyard and his colleague Brian Buccaroni use screen-printing to spotlight the unique beauty of each of the — what is now — 61 national parks; the latest addition is Indiana Dunes National Park in Indiana. “The concept for the poster series is something friends and I had talked about since 2014. In August of 2015, we began working on the series, [which] launched in January of 2016,” Boneyard says. “Our mission is the same today: to celebrate national parks and printmaking.”

Boneyard’s foray into screen-printing began in high school, when he would design and make posters with friends to promote their DIY art and music events. “The tactile quality of the prints and the ability to use multiple colors is what attracted us to screen-printing,” he says. “It was also relatively affordable; plus, printmaking is challenging and fun.”

More than 50 artists have designed posters for the Fifty-Nine Parks series — all of which are screen-printed in the United States. And while Boneyard has not yet created a poster himself — “I’ve invested most of my time in producing and art directing the series,” he says — he hopes to design his first this fall.



With a penchant for also preserving the parks, Boneyard donates 5 percent of every online poster sale to the National Park Service. To date, Fifty-Nine Parks has contributed more than $40,000 to the National Park Service.

We love parks and printmaking, and we wanted to use our medium — in this case, posters — to celebrate some of the most incredible places in the country.

Boneyard and Buccaroni have also taken the series on the road. In between national tour dates and local events in his hometown of Austin, Texas, Boneyard took the time to reflect on the project and the magnetism of our national parks.

What inspired this series? Do you have a personal connection to the parks?



We love parks and printmaking, and we wanted to use our medium — in this case, posters — to celebrate some of the most incredible places in the country.

I’ve been touring the U.S. with friends and bands since 2000. Being a broke teenager meant we couldn’t afford much on our travels. We often found ourselves visiting parks, monuments and museums because they were usually affordable or free. I love history and taking in new places, so this was the best of both worlds. That appreciation for parks and U.S. history has only deepened over the years.

What is unique or most interesting about the series?

Other park series have existed long before us and were done incredibly well. Our differentiator is having different artists illustrate a contemporary screen-printed poster for each park. At the time of our launch, we were the only series (to our knowledge) that was doing this.


There are now 61 national parks. Do you have plans to change the name of the series (mostly joking)?

That’s right, we now have 61 national parks. We thought about changing our name, but early on, we knew we wanted to make posters of international parks, so the name was going to be obsolete soon enough.

At this point, there’s some momentum behind the name. Plus, we like how “Fifty-Nine” sounds. If there are over 400 sites in the park service, our name technically didn’t make sense from the start — especially since we knew certain monuments or historical parks were going to be included in the series. If anything, Fifty-Nine Parks will just be a marker of when we began: sometime between January 10, 2013, and February 22, 2018.

Why was it important to you to give something back to the parks through this project?

It’s really important to us to give back in some way — that’s why we donate 5 percent of each poster sale to the National Park Service. The work they do is so important, and we hope we can do more over time.

“We’re trying to encourage people to visit parks and to see the value in preserving these incredible public lands.

In a lot of ways it’s just like the gig posters we made in high school and college: Here’s something that we feel is pretty amazing (in this case, a music event); how do we convey that message via an intriguing image so that we get people to attend? Instead of a music event, though, the call to action is to visit an amazing national park.


You have also taken the series on the road. How has the tour been received?

Our origins for the series come out of The National Poster Retrospecticus (NPR). The NPR is a traveling poster show that features screen-printed posters made by artists from all over the world. The park series is kind of like our featured collection of work in the show. Both the show and the series feature many artists we’ve known or worked with for decades. It’s so nice to see them all together in what makes for an eclectic mix of work. We’ve found that we’re getting a lot of outdoorsy folks into their first poster show. At the same time, we hear about a lot of poster folks getting into the outdoors via the show. It’s awesome to see this cross-pollination happen. The spirit of the poster show is to bring people together through art, design and, now, the parks.




What are your aspirations for Fifty-Nine Parks?

We’d love to see the series continue beyond the 61 national parks. It will totally depend on what’s sustainable for the series, though. We’d love to do a tour of the national parks and do pop-up art shows at each. It would be so much fun to do print demos and educate visitors on printmaking, illustration and the parks. We also have a book in the works.


Do you have a favorite national park?

Glacier is the place I often want to go back to the most. It’s partly sentimental, but it’s a park that just speaks to me. There’s always more to explore no matter how many times you visit. Sequoia is another favorite. If ever there’s a park that feels like magic, it’s Sequoia. Zion is unreal and beautiful. This is tough; I’ll just end up listing names of every park if I keep going!

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Alexandra Vollman
Alexandra Vollman is an experienced writer and editor with a passion for the outdoors — especially hiking. As the co-founder and editor of Modern Conservationist, she oversees editorial management for the site. She has a bachelor’s degree in media communications and a master’s degree in writing and publishing. Alexandra enjoys using her knack for reporting and storytelling to instill in others a better understanding of and appreciation for nature.

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